Australian Children's Literature

As an academic, I spend a lot of my research time scouring databases for articles. Marvels & Tales is a journal devoted to fairy tales that I have always admired, and used for both teaching and research. It was an absolute pleasure to co-edit a special issue of the journal on Australian fairy tale with Dr Emma Whatman , whose doctoral work broke new ground in the study of fairy-tale adaptations and postfeminism. In postcolonial contexts, thinking about fairy tale history can be a fraught exercise, particularly when it comes to the way that Aboriginal stories were appropriate by white writers. Nevertheless, our contributors made the job of celebrating, at the same time as critiquing, Australian fairy tales, simple.  Juliet O'Conor, for example, contributes her unparalleled knowledge about Indigenous children's literature to contrast "Aboriginalist" texts such as Katie Langloh Parker's Australian Legendary Tales (1896) with stories written an illustrated by trad

Last year I began writing a chapter on the history of Australian children’s and young adult literature for the Cambridge History of the Australian Novel . As I worked through a list of novels that friends and colleagues loved and remembered, I soon realised that most Australian children’s literature published prior to the 1990s is now out of print. A small number of beloved books had recently been reissued in “Classics” imprints, but their cover designs suggested an intended audience of nostalgic adult readers. I was surprised to find that Victor Kelleher’s Taronga (1986) is still in-print with Puffin. It is a book that perhaps I ought to have read in my own childhood given that I was in primary school from the mid-1980s. Yet it took me 36 years to read this fantasy of a post-apocalyptic Australia in which civilisation has entirely collapsed and survivors behave brutally towards one another. It predates the explosion of young adult dystopian fiction from the 2000s, but has a distinctly